Articles on iPhone related photography and apps.
The LG 360 Camera comes at a time when 360 photos and videos are becoming fairly popular within social media outlets. Facebook, Twitter, and YouTube all support these new formats and photographers are just finding out the potential for them. So when I was given the LG 360 Cam from LG Canada, I knew I had to take it for a spin during one of my many outings.
This post will cover 360 photos taken with the LG 360 Cam. I’ll write another post when I have done a few more 360 videos with the LG 360 Cam.
The LG 360 Cam is essentially a self enclosed camera in a bubble gum-sized package with a 180 lens built on either side. There’s one single button that allows you to take a photo with a single click, or start a video with a slightly longer press of the button. It connects to your LG G5 phone, or iOS device via Blootooth and local wifi. Alternatively, you can control the camera via the 360 Cam app.
It’s worth noting that to use the LG 360 Cam, you’ll need a micro SD card, which isn’t included in the package. Without one inside the camera, you won’t be able to use it. The camera also requires a wifi and bluetooth connection to your LG G5 or iOS device. One finicky part about the wifi that’s required by the phone and 360 Cam is that if your 360 Cam is on, you won’t be able to automatically connect to any other wifi on your phone. It’s an odd setup but as soon as you turn off the 360 Cam, you’ll be able to automatically reconnect to your usual wifi hotspots again.
The cover of the 360 Cam acts as a holder by inverting and connecting to the base of the camera itself. It’s handy and eliminates the need to carry the cover separately, but on my first outing with the camera, I had completely forgotten about this, hence seeing my hand so close in the 360 image.
Here’s a 360 photo taken on the streets surrounding Yonge-Dundas Square in Toronto. I was holding the 360 Cam with my hands when I took this shot, so my hands are quite visible if you pan down in the photo. I’ve since discovered that even better than using the cover, a selfie stick does a great job of removing my hands from that position and makes the photo much cleaner.
The camera itself is relatively simple. It does its job taking 180 photos and shines in particular during the day. Chroma noise does start to enter when the light falls so while it’s still possible to enjoy 360 degrees in low-light, I would recommend using it during the day.
Here’s a 360 photo taken shortly after sunset. While it wasn’t completely dark yet, you can see there’s quite a bit of noise present in the shadow areas of the photo. The low light ability of this camera is unfortunately not as good as I’ve seen from other competing cameras, like the Ricoh Theta S.
The stitching of the two 180 degree photos isn’t perfect, with some stitching signs visible throughout—particularly through solid colours like the sky. It’s not too much of a distraction, however, so I don’t mind this imperfection.
To view the 360 photos and videos that you’ve taken with your camera, the 360 Cam needs to be connected to your phone. When connected, you can go to the Gallery to view all of your media on the 360 Cam. From here, you have the choice of deleting, sharing, or downloading the photo or video to your LG G5 or iOS device.
Once you’ve downloaded your 360 photos and videos to your device, selecting the My device option will show you all the media you have on your LG G5 or iOS device. You can then share on any of your social media outlets.
360 Photos Viewed in Camera Roll
When you’re viewing 360 photos in Android’s Camera Roll, you can pan the phone around to view all around the image. It’s a great way to create different angles and perspectives from the shot. In the photo below, tilting my phone while viewing the 360 phone gave this effect. You can see my finger is right by the lens since this is before I discovered the selfie stick method.
And here’s one where I tilted the phone, giving a great angle to a landscape. This almost seems like it was taken with a fisheye lens! This photo was taken with the selfie stick so you can see my finger is nowhere to be found in the image. In fact, you can’t even tell that I’m holding anything at all.
If you choose to view the photo regularly, then you’ll just get this plain view that has a lot of distortion.
Or if you really stretch things out, you can be on top of the world.
Here’s the 360 view of the farmer’s market, where all of these screen captures were taken from.
Time Lapse on the LG 360 Cam
If you’ve updated the firmware on the 360 Cam after July 2016, LG added the ability to capture time lapse photos. You should have a new icon in the Mode menu when you’re in the camera mode.
Select the new icon and you’ll get the current interval setting. To change it, simply select the option and choose a different interval for your time lapse.
It’s a great feature that I’m super happy about. The camera will continuously take photos at the interval that you specify until you tell it to stop. You then take all the sequenced images that are in your Gallery, and import them into a third party program that will create your time-lapse movie for you. I have yet to use this, but I look forward to using this feature soon. Perhaps that will be another post as well!
Overall I’d say the LG 360 Cam offers a lot of fun in such a compact camera body. The photos that come out of it may not be high quality images similar to what you get from a dSLR, but it serves its purpose for a 360 image and it can be lots of fun to view them afterwards. The addition of a time lapse feature only makes this camera even better.
Have you played with the LG 360 Cam yet? Do you have another 360 camera with similar features? Do tell in the comments below!
LG’s newest flagship smartphone is the G5, with its modular accessories—otherwise known as friends—that replace one another by removing the bottom portion of the phone. It’s been a few weeks now since I received the LG G5 so I thought this would be a good time for some comparisons of the smartphone with my iPhone.
Disclaimer: This LG G5 was generously provided by LG Canada for me to test out their phone and wide angle lens on my landscapes—this blog review was not a requirement for me to receive the phone.
The G5 is LG’s latest flagship model, which comes in a modular format, where the bottom portion of the phone can be removed, and replaced with various accessories. It’s a great concept and I’m looking forward to testing this part out in the coming months.
As this is my very first Android device, I needed some time to get familiar with the operating system. I found it quite easy to learn, and even started using one of LG’s own stock apps, their Health app, which keeps track of how many steps I’ve taken each day. There’s just something fulfilling about learning each day that you’ve surpassed your step goal. As a side note, this just goes to show that presentation makes all the difference—my iPhone has captured my step count since day 1, however, I just never used the Health app on it because it didn’t present the data in any way that was easy to understand in a glance.
Likely the most noticeable feature about the LG G5 is its dual lenses on the back of the phone. This is what I’l be concentrating on the most for this blog post. The main lens provides a typical high-end smartphone field of view of about 78 degrees with an aperture of f/1.8, producing 16mp images. The second lens—which is most desirable for me as a landscape photographer— provides a field of view of about 135 degrees at f/2.4, producing 8mp images. The front-facing camera has an aperture of f/2.0 yielding an 8mp image.
The primary rear lens offer optical image stabilization. There’s a dual LED flash located between the rear lenses, and there’s also a laser sensor for auto-focus.
The LG G5 is a little narrower and shorter than the iPhone 6s Plus, making it just about the right size for my hands. It feels comfortable holding it in my hands whereas I have to admit the iPhone 6s Plus can be a bit too large at times to handle with just one hand.
The stock camera app that comes installed on the LG G5 has three different modes, allowing beginners and advanced users to fully take advantage of its features. This is a good thing since unless other camera apps allow you to select which lens you want to use on your camera, you’re bound to using this stock app from LG.
These modes are accessed by the three horizontal dots on the top right corner of the (portrait-oriented) screen.
The “Simple” mode has just two functional buttons to choose from on the screen—and neither of them are the shutter button: Regular or Wide Angle lens. In this mode, you can press anywhere on the screen for the camera to take the photo.
The Auto mode, which most users may find useful, gives additional buttons on the screen, allowing users to change from photo to video mode, and has an additional four icons added to the screen. The Gear icon changes many of the settings from on-screen display, activating stabilization, enabling voice-activated shutter release, timer, filters, and crop. The HDR mode is useful, but keep in mind that it is only available in Auto Mode.
The Mode icon is where you can take advantage of all the lenses at once, with modes like Multi-view and Popout. Your advanced features like Slo-mo, Time-lapse, and Panorama modes are also located in this menu.
The Multi shot view takes a photo from all three cameras, and arranges them in a collage, like below. It’s a neat feature but I don’t know when I would actually use it myself.
The popout effect takes a photo from the regular camera, and puts it against a photo taken from the wide angle camera. You can have the background blurred, vignetted, or in monochrome.
The Flash icon is grayed out in this mode as it will turn on when needed.
The Manual mode, which I find the most useful, is where all of these settings and more, are manually set by yourself. So if you don’t know your aperture from shutter speed and ISO, then it’s best to stick to the Auto mode, unless you love to experiment.
This mode adds a whole set of new icons on the left side of the screen in portrait mode, and bottom edge in landscape mode. What’s peculiar about this mode is that these new icons (and the status bar that appears on the right side of the screen in portrait mode, and top edge in landscape mode) don’t change orientation when you switch from landscape to portrait mode. They are fixed in their landscape orientation while all other icons on the screen change. One would only assume that LG thinks you will be using the phone in Landscape mode if you’re an Advanced user.
Taking a look at the status bar, there’s a live display of the histogram, which can come in handy. It’s small, but this gives you a great idea of how much shadow and highlight areas there are in your photo at any given point. The exposure meter gives you an idea of an ideal exposure, and all the pertinent exposure details are right there at a glance.
When in landscape mode, the bottom row of icons provide the manual settings for you to change the exposure. When each one is tapped, a dial overlays the screen on the right hand side, as seen above.
An interesting addition to this camera (compared to that of my iPhone) is the floating thumbnail of the photo you just took. Tapping that puts you directly inside the Google Photos app, allowing you to edit the photo immediately after.
Normal vs. Wide Angle
The dual lens of this phone is what truly excites me. In the camera app, there are two icons that dictate which lens you would like to use. Switching is as easy as tapping the appropriate icon. The transition between the two is somewhat seamless, as the image on the screen blurs, zooms in, and pops into the image of what you see with the new lens.
While the normal lens offers a typical field of view from most other smartphone cameras, it’s the wide angle that does a great job of differentiating itself from the pack. This lens is so wide that I often get my fingers in the frame! You really have to hold the phone carefully so that your knuckles or fingertips don’t get caught on the edges of your images. There have been many times when this happened testing the wide angle lens out.
And this one too!
To get a better idea of how the two lenses differ, here are some images to compare the two lenses, followed by the same picture taken with my iPhone 6s Plus.
The unedited JPG image, above, is taken with the normal LG G5 lens. The HDR mode was automatically implemented to brighten up the shadow areas on the bottom right of the frame. The image below shows the picture taken standing in the exact same spot, using the wide angle lens of the LG G5.
You can see in the image above that the wide angle brings in much more of the image on the top and bottom. The CN Tower that was visible in the centre of the frame in the initial image is now so far away in the image above. The HDR mode was not used in this image, which can be seen in the foreground shrubs that seem to hide in the shadows.
The same view taken with my iPhone 6s Plus is seen below.
If you look at the CN Tower in the iPhone 5s Plus camera image, above, and compare that with the LG G5 regular lens photo, then you’ll notice they are the same size. You just see less in the iPhone image since the crop is 4:5. HDR mode was not used in this case either, as the foreground shrubs are quite dark.
Here’s another set of images to compare the LG G5 regular lens, wide angle lens, iPhone regular lens, and with the Moment wide angle lens attachment on the iPhone 6s Plus.
LG G5 Regular Lens
LG G5 Wide Angle Lens
iPhone 6s Plus Regular Lens
The 16:9 Crop
While my iPhone uses a 4:5 ratio for its image dimensions, the LG G5 has an option of setting which ratio I use for each image. The default is set to 16:9, which is the same ratio as a movie theatre screen. Although I can switch it to a 4:5 ratio, which is what I’m more comfortable with, I leave it at 16:9 because it makes for some sweeping epic landscapes, especially when I use it with the wide angle lens!
The image above really gives you a sweeping view of the marina. Compare that image with the one on my iPhone 6s Plus, below.
The difference is quite noticeable, don’t you think? That wide angle lens in a 16:9 crop makes a significant difference in how we take in the image. To further compare, the image below is taken from the same place, but with the regular lens on the LG G5, using a crop of 16:9.
Even this image manages to engulf the viewer since it contains a lot more of the marina compared to that of the iPhone. The sailboats actually seem a little smaller here than in the iPhone photo, which means the regular lens on the LG G5 is actually slightly wider than the lens on the iPhone 6s Plus.
RAW vs. JPG
The LG G5 has the option of shooting photos in DNG RAW format. This is great for advanced users who wish to edit their images to their own liking, rather than allowing the camera to edit the image. When in RAW mode, the camera will automatically take both a RAW and JPG image and save it to your camera roll. You then later have the ability to edit the RAW image in any app. If you want to transfer this RAW image to your desktop, though, you’ll have to use the File Manager to select the DNG file and upload it to your computer or to the cloud.
If you enjoy editing photos on your phone, there are a limited number of apps that currently allow editing of RAW files. My go-to app right now is Google’s Snapseed. Adobe’s Lightroom Mobile also allows for RAW editing.
In low light, I find that noise creeps in quite a bit, even in the DNG files. Applying a certain amount of noise degradation will get rid of it, but also lessen the detail in other areas. At the very least, we get this option with the RAW file. To better illustrate the difference, here’s a photo I took during a sunrise. The sun hadn’t risen above the horizon at this point, so you can see chroma noise in the shadow areas, particularly in the rocks in the foreground. This first image is the unedited DNG image.
You can see the chroma noise in the rocky beach area. The next image is of the same picture in JPG. The LG G5 automatically takes a JPG and DNG image at the same time, when you use the RAW mode.
The rocky beach area has no chroma noise, is much lighter, and the bright yellow in the sky is significantly diminished. To see how much I can get away with, I edited the DNG image using Adobe Camera RAW and came out with the following image.
The above image isn’t a significantly edited image, but I balanced the colours in the sky, and diminished the chroma noise in the shadow areas.
I should also mention that the images coming out of both lenses on the LG G5 tend to be on the sharper side compared to those from my iPhone 6s Plus. This was immediately noticeable—at first, I thought it was a little too aggressively sharpened, but I have since gotten used to the characteristic of the images coming out of the LG G5, and sometimes makes me feel that my iPhone 6s Plus images are not sharp enough.
The LG G5 with its dual lens system provides an excellent way for avid mobile photographers to get the most out of their phones. The added wide angle lens does a great job in capturing the environment, setting itself apart from other high-end mobile phones. The ability to shoot in DNG mode is also a great addition for advanced users who enjoy post-processing. The native camera app on the LG G5 has plenty of features suited for beginners to the more advanced. With its manual capabilities, even allowing for long exposures, it may be the only camera app I need right now. As far as I’m concerned, as of this writing, there are no other camera apps that allow you to change which rear lens you are shooting from, therefore, it’s a good thing the LG stock camera app is fully featured.
Do you have any experience using the LG G5? Let me know in the comments below!
Here are some additional photos taken with the LG G5 camera.
You would think that with the arrival of Spring, we should expect warmer temperatures, but that was hardly the case when I went out to shoot the sunrise on the first day of Spring. With temps nearing -10C, it was far from the Spring weather we are more used to.
With each sunrise shoot I go to, I always make it a point to come out with at least one decent shot that I’m happy with. If I come out with more, that’s a bonus. That morning the skies were relatively clear with just a spotting of clouds here and there. Overall, this didn’t make for any particularly interesting display of light.
This particular morning my interest quickly turned from the skyline to the seagulls that just wouldn’t go away. There were a number of them flying about where I was stationed (perching myself and my tripod on top of one of those corrugated steel pipes may have piqued their interest), while one particular seagull decided to show me what it could do.
In a display of pure wilderness, it eyed beneath the water and once it saw something, it quickly flew up and nose-dived into Lake Ontario, coming back up with its prize.
His first catch was a crayfish of some sort, although he soon realized with its hard shell, it would require much more work for a tasty breakfast.
While I was surprised to see a seagull capture this, I was even more surprised to learn that we had living crayfishes in Lake Ontario! After capturing the crayfish, it flew back onto the pipe I was standing on, trying to get at the crayfish. It picked and picked to no avail and eventually let it wash away into Lake Ontario again…but not before showing me who was boss.
The seagull’s second round under the water yielded in a small fish, which I’m sure he was able to enjoy much easily. Unfortunately the only photo I have of this was blurry as I was focused elsewhere at the time.
While I was following the seagull’s adventure, another photographer approached me and asked if he could take my photo silhouetted against the rising sun. He later emailed me the photo, as seen below. It’s a great shot since you can see where I was standing, and it includes the seagull I was eyeing all morning.
You can check out David Allen’s site here, where he’s accumulated quite the collection of photos from High Park.
The above photo was taken shortly after I took the skyline photo below.
It wasn’t the most dramatic of sunrises, but I’m happy to have come out with some interesting shots of the seagull and its breakfast adventure. If it’s one thing I’ve learned from shooting sunrises for the past two years, it’s that you can never predict how things will turn out. And if the sunrise turns out to be a dud, then you’re better off turning your attention to something else that may make for a more fruitful photoshoot.
Moment Lenses and Case Review
Lens additions aren’t new to mobile photography. There’s plenty of choices out there from generic third party lenses to more notable ones like Olloclips. But when I came across Moment’s lenses and case Kickstarter campaign in 2015, I couldn’t help but get behind this piece of glass.
Moment first released their lenses in 2014, however, I only came across them from their second Kickstarter campaign, which was a companion case to their lenses. I’m never a fan of buying things that are made specifically for a device, since I’m prone to changing/upgrading my iPhone every year or two. However, I went ahead and ordered the case, along with their wide angle 18mm and telephoto 60mm lenses.
I received my case and lenses in December 2015, just in time for the Christmas holidays. Upon opening the packages, I was pleasantly surprised at the quality of the case and lenses. Let me start with the case, since that’s their latest campaign.
The Moment Case
The moment case comes in a few different colour combinations: black on black, wood on black, and white on black. I chose the latter for my iPhone 6s Plus, and I really like the little bit of white on top, as it adds a little contrast to the rest of the case, which is quite large.
The case—apart from the white top, which is plastic—has a really nice feel to it: it’s firm yet has a rubbery felt-like feel to it, thanks to the custom TPU material that they use. It provides just the right amount of friction for a secure grip, and as the folks at Moment says, it’s “not so grippy that it gets stuck in your pocket.”
The case is tapered, offering a thicker grip, which allows for better handling of your phone in landscape mode. This thicker area is also where the circuit board and battery resides. The battery lights the LED light that shows when there’s a connection with the Moment app, and also sends information to the app when you press the shutter button.
The bottom of the case is open, so you won’t have any problems with inserting anything in the earphone jack or lightning cable port. The added aluminum bar acts as a neck strap hook and is a nice touch as well, although this piece on my case is a little wobbly upon touch.
Why is this case special?
Apart from adding another level of protection for your iPhone, the case acts as an interface to the collection of Moment lenses that they offer. Their proprietary interface is embedded within the case so all you need to do is twist the lens on to the case. The interface is well built and twisting on the lens is a breeze. There’s no click to lock the lens in place like you see on a dSLR, but I feel confident that the lens won’t easily twist off.
More importantly though, the case allows for added functionality when shooting with your iPhone. By adding a shutter button to the case, you’re now able to use that button to hold focus (by half-pressing the button), while we swipe on the screen to fine-tune adjustments like exposure. It took me a bit of time to get the hang of this as I wasn’t used to half-pressing and swiping at the same time. But once you’re used to it, the feature becomes quite handy.
The case recognizes when you attach a lens to the case. While initially (if I remember correctly) the idea was that it automatically knew which lens was attached. The way it is now, you have to tell the Moment app which lens you have just attached. Moment says this “unlocks advanced software features” specific to each lens. What these features are, I do not know.
Note, if you don’t have the case, Moment sells a stainless steel mounting plate that you can stick to any mobile device, allowing you to use any one of their lenses.
The lens cap and magnet
The two lens caps that came with my combo does a great job in protecting the front element of the lens. It’s not flimsy by any means, and has a protective foam layer on the inside. There’s a small magnet hidden inside the lens cap so it can conveniently attach itself to the Moment Case, which also has a magnet on the top of the grip. It’s their way of making sure that you don’t lose the lens cap when you’re using the lens.
The magnet isn’t super strong though, so just be careful when you’ve got it attached. Your hand will cover the lens cap when holding the phone and if you’re not careful, you can easily knock the lens cap right off the magnetic spot with a quick swipe.
The Moment currently has three lenses in their collection: 18mm, 60mm, and a macro lens.
My Kickstarter package came with the 18mm and 60mm. Similar to the Moment case, as soon as I handled these lenses, I was pleasantly surprised at the quality. Gone are the days of cheap, plastic lenses with clip-on attachments. These are heavy-duty lenses made with quality glass, multi-element designs, and aerospace-quality stainless steel. When you pick one up, you’ll notice this quality instantly. It’s solidly built, and looks terrific.
As a landscape photographer, I immediately drew my attention to the 18mm wide angle lens. I love the added focal length this gives me. The large landscape coverage gives me that same feeling as when I shoot with my 14mm on my Nikon D800. You can see how much more coverage the lens gives you, below. The iPhone camera without any attachment has a focal length of approx. 29/30mm (35mm equivalent). The 18mm is much wider as you can see.
I’ve noticed a slight vignetting with this lens (see sample photos below). It’s nothing I can’t live with though. On the Moment lens website though, it says “clear edge to edge.” From my test samples below, I’m not so sure I can agree with this. If you look at the sample photos, you’ll see the corners and edges are a little blurry, which is a shame. I could live with the vignetting, but I would have loved to have edge to edge sharpness, as mentioned on their site.
The telephoto lens does a terrific job at getting you that much closer to the subject. Forget the digital zooms on your iPhone as that just yields in poor quality images as a product of digital extrapolation. Having an optical telephoto lens means you’ll come out with top quality images that you’ll be surprised came out of a mobile device.
Looking at the images below, you’ll notice how much closer the subject is (two times closer). Of course, a steady hand will always help more with any telephoto lens, so be sure to hold it steady, or use a tripod like I always do.
Do I Really Need These?
If you love taking photos with your iPhone or mobile device, the Moment case and lenses won’t disappoint. Apart from the slight vignetting and distortion that I saw with my 18mm lens, I have to say it’s the best lens addition to my iPhone that I’ve ever seen thus far.
These are by no means a necessity for any iPhone user, but more so an added benefit to being able to take extra wide and telephoto photos. The interaction with their app adds a nice touch and really enhances the picture-taking experience on a mobile device, which ultimately has given me even more of an excuse to go out and start shooting again.
To better compare the results, here are a couple sample landscapes that I took with each of the lenses, along with the shot taken with the regular iPhone 6s Plus camera for comparison. These images have been resized and saved for web; apart from that, no editing has been done.
If you look at the top left corner, you’ll notice that the finer tree branches are not as clear as the rest of the branches surrounding them. And if you compare these branches to those in the iPhone 6s Plus photo, you can really see that the quality has dropped a little with the lens.
Now, look at the top left corner of this photo. It’s slightly blurred along with the rest of that left side. In fact, all corners are slightly blurry if you look closely.
Test Photo 2
Looking at the top corners (left and right), you’ll see there is slight vignetting. It’s harder to see on the bottom corners, but it’s there as well.
The top right corner is slightly darker here as well. And again, you can notice that the entire left side of the photo is slightly blurred.
And if you’re curious, here are a couple photos I took with my Nikon D800, where I changed the focal length until I matched the composition that I took with the Moment 18mm and 60mm lenses. The first photo turned out to be 19mm, which is pretty close. The second photo turned out to be 58mm, which is also pretty close. This test doesn’t really do much except tell me that I did a pretty good job matching the composition between the two cameras.
If you’ve taken great photos with Moment lenses, feel free to comment below and let me know!
For more information on the Moment case and lenses, head over to their website at http://www.momentlens.co.
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